Daniel Greenfeld's paper mosaics are a captivating blend of art and craftsmanship, pushing the boundaries of what we might consider a collage. While some might associate collages with layered images and mixed media, Greenfeld's approach is distinct. He describes his technique as a delicate balance between assemblage and inlaid mosaic, where the material isn't layered but rather intricately assembled. This method involves cutting and embedding painted cardstock to create a unique, three-dimensional effect. The result is a series of architectural observations that are both abstract and detailed, capturing everyday faces, places, and fruit in a way that is both cozy and complex. The artist's process is a circular one, where every new piece generates offcuts that find their way back into the scrap bin, contributing to the next creation. This iterative process adds a layer of imperfection and roughness to the work, making it feel less intricate from a distance but more intimate and personal up close. The artist embraces this messiness, avoiding the pitfalls of perfectionism and second-guessing. This ongoing series began as a natural extension of Greenfeld's studio practice, where he builds 3D lamps and sculptures using offcuts. The debris from these creations inspired him to explore a different medium, leading to the birth of his paper mosaics. The artist draws inspiration from archaeology, imagining the process of piecing together ancient ruins and guessing at the missing parts. This problem-solving aspect of his work, where he creates scenes using only what he has, is a driving force behind his artistic process. The idea of a 'complete original design' hidden within the rubble is a recurring theme, motivating Greenfeld to continue exploring this unique form of art.
